Departed to the judgment,
A mighty afternoon;
Great clouds like ushers leaning,
Creation looking on.
The flesh surrendered, cancelled,~Emily Dickinson
The bodiless begun;
Two worlds, like audiences, disperse
And leave the soul alone.
At numerous times over the course of this year-long Emily Dickinson project, I have suspected that I am gradually becoming stupider. Some of Dickinson’s poems hit me like a flash of insight, clear and bracing. Others completely befuddle me, to the point that I wonder if I have forgotten how to word.
The first stanza of this poem is very straightforward. Of course it’s about death! The second stanza? Tricksier. Okay, death means the surrendering of the flesh, the beginning of a bodiless state. But what are the “Two worlds” that “disperse” “like audiences”? Has she named two worlds?
Maybe the two worlds are a reference to the “clouds,” representing heaven, and “Creation,” representing this life, in the first stanza. If this is the case, then what is Dickinson saying about death? That the soul after death has nothing to do with either this world or the next? It’s almost like this woman was not raised by a preacher. Or like she’s the stereotypical P.K., pushing allll the boundaries and challenging alll the beliefs.