So dense a fuzz

To hang our head ostensibly,
And subsequent to find
That such was not the posture
Of our immortal mind,

Affords the sly presumption
That, in so dense a fuzz,
You, too, take cobweb attitudes
Upon a plane of gauze!

~Emily Dickinson

This is a tricksy one, and much is unclear. Who is the “you,” the “we”? What Dickinson seems to be saying for certain is that sometimes we “hang our head ostensibly”–we discredit ourselves, or act humble–when what we want is not to be humble, and when we are not feeling humble at all in “our immortal mind.” The “immortal mind” suggests the notion of the higher self, and so I think Dickinson’s message in the first stanza is fairly clear. Sometimes we’re humble when we don’t need or want to be. Sometimes we’re right, dangit.

The second stanza, to me, is best summed up in the phrase “so dense a fuzz.” I’m not sure what exactly Dickinson means with any of the second half of this poem. Line 5 is decently clear–when we know we don’t need to be humble, when we know we’re right, we feel a sly presumption–but what exactly is that presumption? “Cobweb attitudes” and “a plane of gauze” suggest that the opinions of the enigmatic “You” are insubstantial. But what’s the dense fuzz? The internal tug between wanting to be humble and wanting to be right?

Perhaps at 6am on a Friday, I’m just in too dense of a fuzz to make sense of this poem. But maybe this is part of what Dickinson is doing–making the reader doubt herself to prove a point. As I read through this poem, and reread it, I find myself doubting my own ability to parse any sense out of it. Dickinson has planted me squarely in the midst of the dense fuzz that is the syntax and word choice of this poem.

Well-played, Emily, well-played.

Who?

BRING me the sunset in a cup,
Reckon the morning’s flagons up,
And say how many dew;
Tell me how far the morning leaps,
Tell me what time the weaver sleeps
Who spun the breadths of blue!


Write me how many notes there be
In the new robin’s ecstasy
Among astonished boughs;
How many trips the tortoise makes,
How many cups the bee partakes,—
The debauchee of dews!


Also, who laid the rainbow’s piers,
Also, who leads the docile spheres
By withes of supple blue?
Whose fingers string the stalactite,
Who counts the wampum of the night,
To see that none is due?


Who built this little Alban house
And shut the windows down so close
My spirit cannot see?
Who ’ll let me out some gala day,
With implements to fly away,
Passing pomposity?

~Emily dickinson

This is peak Dickinson. This is perhaps The Most Emily Poem of all time. For starters, it’s a riddle. Dickinson piles on question after question, never answering them. There’s also a lot of exclaiming and rapture about nature. She mentions robins. She mentions bees. She even describes bees as “debauchee of dews,” a phrase she uses in another poem, the better-known “I taste a liquor never brewed.”

There are lots of unanswerable questions, lots of breathless delightings in the glories of nature. There are oodles of gorgeous and quirky descriptions: “how many dew,” “astonished boughs,” “withes of supple blue,” and on and on. There’s an obscure references–what is an “Alban house”? Is she talking about Scotland? Why?? Or is she referencing the saint? Again, why?? And, of course, in true Dickinsonian fashion, the poem ends in death–with the promise of resurrection.