Who?

BRING me the sunset in a cup,
Reckon the morning’s flagons up,
And say how many dew;
Tell me how far the morning leaps,
Tell me what time the weaver sleeps
Who spun the breadths of blue!


Write me how many notes there be
In the new robin’s ecstasy
Among astonished boughs;
How many trips the tortoise makes,
How many cups the bee partakes,—
The debauchee of dews!


Also, who laid the rainbow’s piers,
Also, who leads the docile spheres
By withes of supple blue?
Whose fingers string the stalactite,
Who counts the wampum of the night,
To see that none is due?


Who built this little Alban house
And shut the windows down so close
My spirit cannot see?
Who ’ll let me out some gala day,
With implements to fly away,
Passing pomposity?

~Emily dickinson

This is peak Dickinson. This is perhaps The Most Emily Poem of all time. For starters, it’s a riddle. Dickinson piles on question after question, never answering them. There’s also a lot of exclaiming and rapture about nature. She mentions robins. She mentions bees. She even describes bees as “debauchee of dews,” a phrase she uses in another poem, the better-known “I taste a liquor never brewed.”

There are lots of unanswerable questions, lots of breathless delightings in the glories of nature. There are oodles of gorgeous and quirky descriptions: “how many dew,” “astonished boughs,” “withes of supple blue,” and on and on. There’s an obscure references–what is an “Alban house”? Is she talking about Scotland? Why?? Or is she referencing the saint? Again, why?? And, of course, in true Dickinsonian fashion, the poem ends in death–with the promise of resurrection.

Resurrection

’T WAS a long parting, but the time
For interview had come;
Before the judgment-seat of God,
The last and second time


These fleshless lovers met,
A heaven in a gaze,
A heaven of heavens, the privilege
Of one another’s eyes.


No lifetime set on them,
Apparelled as the new
Unborn, except they had beheld,
Born everlasting now.


Was bridal e’er like this?
A paradise, the host,
And cherubim and seraphim
The most familiar guest.

~Emily dickinson

This one is titled “Resurrection” in my copy of Dickinson’s poems. “Perfect for Easter!” I thought, and then, “Oh, come on, Emily,” when I read it and saw that it is actually a love poem. Just when you think she can only write about death (or orioles) she takes death and turns it into a poem about undying love.

But then, when you think about it, isn’t that what Easter is–a love story?