Spider

The spider as an artist
Has never been employed
Though his surpassing merit
Is freely certified

By every broom and Bridget Throughout a Christian land.
Neglected son of genius,
I take thee by the hand.

~Emily Dickinson
I mean. Look at thos eyelashes. ❤
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Dickinson does not shy away from critters that make others squirm. In that sense, this poem recalls “A narrow fellow in the grass.” But it’s quite different, aside from taking on a subject that squicks out many people.

The first stanza establishes the spider as an artist. The speaker goes on to argue that the worth of the spider is proved by brooms and those who wield them. It’s a fun little tongue-in-cheek moment–the playful side of Dickinson that is often present but that doesn’t seem to get as much attention as the angst because angst is Serious Literary Business.

The final image of Dickinson taking the spider by the hand is similarly playful, and her final epithet for the creature is marvelous–“neglected son of genius.” This is some much-needed spider appreciation, and I am here for it.

A spider

A spider sewed at night
Without a light
Upon an arc of white.
If ruff it was of dame
Or shroud of gnome,
Himself, himself inform.
Of immortality
His strategy
Was physiognomy.

~Emily Dickinson
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I just want to take a moment to appreciate the quirkiness of this poem. I love the notion that a spider might be weaving a garment of some kind–a ruff for a dame, a shroud for a gnome. I incline to the latter. What kind of dame is going to wear a spiderweb ruff? A gnome, on the other hand–this is totally plausible.

I love these little moments when Dickinson’s sense of whimsy triumphs. It makes me wonder how she experienced the world every day. I had this notion of her, when I was a student, as this incredibly depressed, tortured soul. That’s what we were taught to think. But she also had a fantastically quirky view of the world. She saw magic in the ordinary. I don’t think we can celebrate that too much.