Some keep the Sabbath going to church;
I keep it staying at home,
With a bobolink for a chorister,
And an orchard for a dome.
Some keep the Sabbath in surplice;
I just wear my wings,
And instead of tolling the bell for church, Our little sexton sings.
God preaches,—a noted clergyman,—~Emily Dickinson
And the sermon is never long;
So instead of getting to heaven at last,
I’m going all along!
In deep summer, evenings in the woods behind my house are punctuated by the liquid silver songs of wood thrushes. It’s impossible to do justice to the sound; the best I can do is to say that if you had been trudging across a desert without water for hours under the heat of a burning sun and suddenly a pitcher of water miraculously appeared in front of you–if that experience was a sound, it would be the song of a wood thrush.
It is impossible not to be awed by this music. It’s unearthly, beyond perfect–divine. The notes tumble down on you from the branches of an ancient oak or the fierce straight column of a walnut tree, bathing you in sound. You do not see the thrush–you only believe it is there. And it is. For a moment, it is everything, every sense, feeling, thought, desire. Nothing else remains. The seconds of the thrush’s song are rare moments of perfection in a glaringly imperfect world.