To fail with land in sight

It might be easier

To fail with land in sight,

Than gain my blue peninsula

To perish of delight. ~Emily Dickinson


Brenna here–this one’s going to be more of a personal reaction, because I have failure and blue peninsulas on the brain.

As a writer who’s been querying various novels for a decade now, I feel like I’m getting closer and closer to success. I’ve gone from rejections that critique my plotting to rejections that essentially say, “It’s not you, it’s me”–my craft is solid, but a particular agent just isn’t in love with my book enough to take it on, or that agent already has something similar, or the YA market is flooded. I feel like I’m getting closer–but you can infinitely halve the distance between two points and never truly have them meet. So I don’t know if I’m close enough.

Failure terrifies me. I am afraid of pouring myself into stories that no one will ever read, afraid that the time I’m writing (and thus not doing anything else) will not pay off in the writing career I dream of. I hit a low point this past November after a three-rejection week–a novel rejection, a short story rejection, and a grant rejection. The dark night of the soul got so dark that it ceased to be a night and was more like a fortnight. It took me a while to dig my way out of the pit.

It was such a rotten time, in fact, that it prompted me to allow myself one day of despair per month. That way I can keep the angst contained. So far, so good. When I get a rejection, I tell myself that I can get bent out of shape about it and rail against fate as soon as despair-day comes, and not a moment sooner. I have tricked myself pretty effectively, I think.

But every once in a great while, I imagine the seemingly impossible happening. What if I don’t fail? What if I (gasp) succeed?

This possibility can be just as terrifying. After all, success is counted sweetest, as the poet says, by those who never attain it. To succeed means to have made it, to have attained the rarefied stratosphere of the great and successful and brilliant and amazing–but the thing we get may not be quite as sweet as we imagined it to be, and at least half the fun of anything is in the anticipation.

But Dickinson here isn’t talking about sweetness–she’s talking about  ease. It’s easier to fail.

Well, she and I might have to have it out about that one at a later date–but I see what she’s getting at. Giving up is the only way to truly fail–as long as you haven’t given up, you’re trying, not failing. And giving up is wildly easier than persevering.

With this poem, though, I get a bit hung up on the qualifier–failing “with land in sight.” That doesn’t seem easy. That seems horrible. You’re within sight of the promised land and you give up then? Who does that?? Someone who’s afraid of succeeding. And a lot of us, I think, are conditioned to think that we don’t deserve success. As a woman, wife, and mother, I feel a bit like a carnivorous unicorn when I start talking about ambition–are moms supposed to even have ambitions? Maybe to take over the PTA, but certainly not pretensions to literary greatness or anything highfalutin’ like that. Fortunately, one of the gorgeous things about hitting your 40s is that you suddenly cease to care whether people are looking at you as if you are a meat-eating unicorn, and you just bare your teeth and flash your horn and smile. Still, being over 40 does not make failing easier. If anything, it makes it harder. Some days it feels like time is loudly ticking.

I keep reminding myself that every time I hear of a writer “making it,” becoming “an overnight success,” that writer has worked for years to become an overnight success.

Nights can be very, very long.

~Brenna

January 4: CXXXIII

Today’s poem is about water. Well, sort of. It’s complicated. And, as with most Emily Dickinson poems, blessedly short: you can find it contained here, within just six short lines that achieve quite a bit.

“Water is taught by thirst”: I suppose you could interpret this a couple of ways. Is water learning thirst? I don’t think so. I think I’m going to go with the path of least resistance here, the easier read, and say that water’s not learning to be thirsty, but some unspoken someone is learning to be thirsty for want of water. Because it’s a new year, and you do you, but in this year I’m inclined to go with my gut.

And because it’s such a visceral line. Yes, we learn thirst when we lack water, just like we learn seasonal depression when we lack sunlight. Happy January!

So: we miss water (or need it, which may and may not be two separate things) when we’re thirsty; we miss land when we’re traveling through vast oceans. “Transport, by throe”: Mirriam-Webster tells me that “throe” means a severe pain, like childbirth. Okay, traveling is painful, that’s fair. Peace is earned through battles; love by a memorial mould, which I’m imagining as a tombstone: you don’t know what you’ve got till it’s gone.

Birds are taught by the snow.

Record screech. Four days in and I’m learning that Emily Dickinson and the hard right turn are well acquainted. But at the same time that I’m thinking no, hold on, this doesn’t make sense, I also understand it in a fundamental way. Like Sheriff Hartwell says in my favorite episode of The X-files, “I ain’t hearing any birds singing, right? Course, it’s winter, and we ain’t got no birds.”

Aptly stated. We notice things when they’ve gone; do we appreciate them when we’re here? I don’t much care about the water that comes out of my faucets every time I turn the knob–but there was one morning, several years ago, when I awoke early to get ready for a job interview, and the taps didn’t work. The city had shut off all the water to fix a busted water main somewhere else, and that morning, I knew several kinds of thirst. Once the water came back, I wasn’t really very appreciative; I was angry that it had been gone, and I treated it as something that I deserved, not as something to be treasured.

Here’s to a year of treasuring the small, glinting jewels in our paths while the sun still shines, so that when it’s nighttime, we don’t miss them so much.

Pam

An Attempt at a Deed

And here’s the January 3 entry for The Emily Project:

Brenna Layne's avatarBrenna Layne

A Deed knocks first at Thought
And then—it knocks at Will—
That is the manufacturing spot
And Will at Home and well

It then goes out an Act
Or is entombed so still
That only to the ear of God
Its Doom is audible— ~Emily Dickinson (draft here)

I am flying solo with this one, and I don’t know what to do with it past a certain point. I am beginning to wonder if this is how an Emily Dickinson poem works–it lures you in with some lovely tidy little aphorism that of course you understand, and then BOOM!! you get hit over the head by syntax and the thing with feathers is flying in circles around your skull, cheeping like in cartoons when someone gets bludgeoned with a falling Acme anvil.

Every act manifests first as thought, and then you have to actually summon the will to…

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In which we dare to discuss a small yet very complicated poem

The second post in The Emily Project: ta-da!!!

Brenna Layne's avatarBrenna Layne

The Emily Dickinson Project, Day 2: Pam and I discuss a poem via messenger. Here is the full text in all its thorny glory:

When I hoped I feared,

Since I hoped I dared;

Everywhere alone

As a church remain.

Spectre cannot harm,

Serpent cannot charm;

He deposes doom,

Who hath suffered him. ~Emily Dickinson

And here is our conversation, lightly edited for clarity. Our credentials: one of us has an MFA in poetry and one of us once played Emily Dickinson in a play and still gets kind of emotional about it.
P: Dickinson XL, yes?
B: Yes! Dickinson XL sounds funny. 😀
P: Doesn’t it? It sounds very millennial.
B: It sounds like athletic wear.
P: I have no idea about the ending of this one. I understand it for four lines, and then it takes a train elsewhere. But I love that opening line. That “when.”
B:…

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“A Goal”: A Year with Emily Dickinson

You can now find posts for The Emily Project here on our shiny new blog! Here’s the first post in the project, dated January 1.

Brenna Layne's avatarBrenna Layne

IMG_20190101_205015936IT’S SO SHINY!!!

For the past few years, I’ve had a mostly-daily poetry reading ritual (“mostly-daily” because, well, life). I love books whose titles begin with A Year With… and end with a writer’s name–they’re an excellent way to read bits and bobs, discover new words and voices, become better acquainted with familiar ones. A few years ago, I read A Year with C. S. Lewis. In 2018 I read A Year with Rilke. One year I read through the complete works of John Keats.

“Soon it will be 2019!” I thought to myself not too long ago. “I will need a new Year With book! I will find a book by a woman!”

Gentle reader, I did not.

It turns out that A Year With… books by women who do not want to convert you to their religion are not to be had for love or money…

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