This World is not Conclusion

This World is not Conclusion.
A Species stands beyond –
Invisible, as Music –
But positive, as Sound –
It beckons, and it baffles –
Philosophy, dont know –
And through a Riddle, at the last –
Sagacity, must go –
To guess it, puzzles scholars –
To gain it, Men have borne
Contempt of Generations
And Crucifixion, shown –
Faith slips – and laughs, and rallies –
Blushes, if any see –
Plucks at a twig of Evidence –
And asks a Vane, the way –
Much Gesture, from the Pulpit –
Strong Hallelujahs roll –
Narcotics cannot still the Tooth
That nibbles at the soul –

~Emily Dickinson
Image via Pexels.

The mystery of what comes after–this seems like a very Emily sort of poem, of wondering. The bulk of the poem seems to be contemplating the riddle of what follows this life–but the final lines throw it a bit up in the air. What is “the Tooth/That nibbles at the soul”? Through the rest of the poem, Dickinson seems to be expressing faith, if imperfect. But the last lines throw it all into question. Does she mean that the life after this one plucks at the soul, calling it? Or does she mean, by nibbling, that something is consuming the soul?

Ultimately, the poem, like its subject, is a sort of riddle. Dickinson is describing a mystery, and the point, perhaps, is not for us to know what that mystery is, but through her language to feel the wondering, the doubt, the confusion, the mystery itself.

Our lives are Swiss,–

Our lives are Swiss,—
So still, so cool,
Till, some odd afternoon,
The Alps neglect their curtains,
And we look farther on.

Italy stands the other side,
While, like a guard between,
The solemn Alps,
The siren Alps,
Forever intervene!

~Emily Dickinson
The intervening Alps. Image via Pexels.com

Not technically a poem about winter, but it feels wintry to me, with its mention of the snow-capped Alps and our still, cool lives. Based on prior experience, I’m suspicious that Dickinson is talking about death (surprise!!), but I think there are other ways to read this poem.

She could be referring to the moment of death, at which we “look farther on.” But if this is the case, then something, represented by the Alps, prevents us from ever getting there. So what I think this poem is about, really, is our rare and beautiful moments of transcendence in this mortal life–the moments when we get a glimpse of the divine, when the Alps’ curtains fall and for an instant, we have an experience of something beyond this mortal coil.